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Reviews
“Lucy Taylor gave an excellent and highly amusing portrayal of Cherubino” (The Marriage of Figaro) — MusicOMH.com “There seemed to be no end to this singer’s capability … with ease and poise savouring Berg’s tremendous breadth of expression, her voice rising powerfully to great heights or restraining potent passion in long penetrating notes that moved with pinpoint accuracy to widening intervals … the spirit and evocativeness of the work was exquisitely captured and enhanced further with absolutely clear diction” (recital for Ely Concert Society) “… agile solo work from Lucy Taylor … compelling” (Bach and Vivaldi with Taunton Choral Society) |
Cherubino (The Marriage of Figaro)
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“Lucy Taylor’s forlorn Andronico took centre stage, her gentle, languid mezzo-soprano proving utterly captivating as she lamented her character’s love for Asteria”
(Tamerlano) — Opera magazine
“Lucy Taylor was splendid as Diana … raised as big a laugh as I’ve ever heard in an opera house” (La Calisto) — Opera Now
(Tamerlano) — Opera magazine
“Lucy Taylor was splendid as Diana … raised as big a laugh as I’ve ever heard in an opera house” (La Calisto) — Opera Now
Diana (La Calisto)
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“… the richest voice around, uniform and deep-hued, subtle and feminine … (a) really impressive artist”
(La Calisto) — Opera magazine “Taylor is a very moving actress who perfectly caught the mood of sadness and loss” (Maurya in Riders to the Sea) — Opera magazine “… demonstrated Lucy Taylor’s splendid range” (Mavra) — Opera magazine “… a magnificent send-up of the mother” (Mavra) — The Scotsman “Ottavia’s lament … eloquently voiced by Lucy Taylor” (L’incoronazione di Poppea) — Glasgow Herald |
